this huge amount of talented producers before reaching the mixture was left without a budget of money and / or time.
CONTENTS: This workshop is a decalogue of basic rules to reach a good end to their production. All you need to be taken into account in a musical project from the primal idea until you make it absolute.
Topics:
* Knowing how to select a musical piece
* Decide on a production technique
* Design a method of pre-production
* To prepare the project from start to finish
* Assemble and manage a budget
* Decide on a study and an engineer
* Entering a mastering room knowing what will happen
* Questions and answers.
INFO: This musical production workshop will be held for three groups of participants, a day for each group.
DATES: Group No. 1, Monday August 8, 2011
Group No. 2, Wednesday August 10, 2011
; Panel No. 3, Friday August 12, 2011
TIME: 10am to 6pm.
LOCATION: Academy of Music, Paul Mendoza (AMPM), Urb El Paraiso, Caracas - Venezuela.
CAPACITY: 20 people per day.
NOT INCLUDE LUNCH. CERTIFICATE IS PROVIDED ASSISTANCE (DIPLOMA) ACCOMPANIED BY A POWER POINT.
CURRICULUM REVIEW OF MARIO
BREUER Born in Buenos Aires on May 21, 1956, the son of Hungarian immigrants, Thomas and Veronica. My childhood took place in an environment based on respect, love and appreciation for the arts. Educated in English school thing recorded English for life. It was not until I was 10 I got involved directly with art starting my drum lessons. At 13 with my friends Manuel and Cesar we got to be disc jockeys and this I was so immersed in the world of record production.
finished high school, I spent 2 years to study psychology at the University of Belgrano but left this career to devote to academic study of music at the Conservatorio Juan José Castro Provincial. During this period was that I entered Phoneme, a small record label dedicated to rescue the best of classical music of our region. This company makes all kinds of tasks, but it was there that I realized that my life is embraced music production. During the next 3 years I went and came from large corporations such as EMI and Capitol record labels to a return to the same phoneme In 1978 I traveled to California to study Recording Engineering and record production.
The University of California at Los Angeles (UCLA) was selected and I finished my career, I returned to Buenos Aires to put my new knowledge in the service of my country music.
Soon after arriving, I was summoned to design, install and operate a studio called "Studio Garden" It began the decade of 80 and this study was the seedbed of many stars rock of that decade. They made their first demos Andrés Calamaro, Sumo, Los Abuelos de la Nada, Virus, Ceratti. Charly García recorded in the Garden his first solo album, the music of the movie "Pubis Angelical".
From 82 to 92 I devoted myself to save nearly 50% of Argentine rock. Installed base of operations in the studies Panda, I recorded as I drive. Ch García, Soda Stereo, The Fab. Cadillacs, Dwarf Green, Mice Parade, Fito Paez, Los Redonditos Ricotta, A. Calamaro, Los Pericos, Los Autenticos Decadentes, Leon Gieco, Mercedes Sosa. The list is lengthy.
In 1992, Fundo Soundesigner Art Mastering. One of the first halls of Buenos Aires mastering. From there I share my activity Mastering the independent producer until he moved my studio to a space within the structure of the studies "The Foot" by Alejandro Lerner, riding a mastering studio to match the best in the world. Simultaneously provide the structure d the foot to achieving a comprehensive production excellent response from customers, corporate and independent.
Although coming co-producing albums with Charly, A. Calamaro, Cachorro or Andrew Loog Oldham himself. It was not until the late 80's actually started to produce absolute decisions. Begin with the law in its "Double Feature" which reached up to 5 prem ios platinum bringing along the 90, followed Disc Three, De Kiruza, Lucybell, and most of the Law Chile and Mice Parade, Round Ricotta, Charly Garcia, Vox Dei, Andrés Calamaro among many others in Buenos Aires.
During the 90-begins to emerge production orders from Ecuador with names like Juan Fernando Velazco with whom work their first 3 albums achieving a Grammy nomination for Best Engineering in its third draft. He also produced and recorded albums for Krucs in Karnak, Green 70, Van Mozart,
The turn of the century said that the stage of recording activity is about to take turns omnidirectional and decided to open Breuer Prod . An independent producer for independent artists with a strategy developed to produce discs with very bounded budgets but with the competitive outcome. The plan was positive but the crisis of the play yard to put me back too with artists and producers in Latin America who suddenly Argentina was a haven for producing discs at half price which gave out my work as producer and engineer from Argentina, Chile, Colombia, Venezuela, Ecuador, Paraguay and Brazil.
With a tight schedule and some other prize won, we would say that well and so we will continue
Some artists with whom I worked: Los Fabulosos Cadillacs
Andrés Calamaro Javier Calamaro
Charly Garcia Fito Paez
Luis A. Spinetta Los Enanitos Verdes
Patricio Rey and Ricotta Redonditos
Mice
paranoid Miranda Los Pericos
Law
Lucybell Los Tres DeKiruza
Aleste
Paralamas do Success
Engeneiros do Hawaii
PRICES Jack Cheese WORKSHOP AND SEMINAR
A. "Musical Production Seminar ---------------- $ 100 U.S.
B. Advanced Mixing Workshop -------- ----------------- $ 150 U.S.
C.-Workshop -------------------- Audio Mastering - $ 200 U.S.
Packages:
A + B ----------------------------------- --------------- $ 200 U.S.
A + C --------------------------- ----------------------- 250 $ U.S.
B + C ---------------------------------------- ----------- $ 300 U.S.
A + B + C ----------------------------- ------------------- $ 400 U.S.
PAYMENT "Cancels $ U.S. currency.
- should be photocopied on letter size paper tickets (both sides) and on the sheet. put Name, Card No., Address, Telephone and cell phone. He
complete and sign a registration form and a service contract.
PAYMENT METHODS:
1.-booking quota, discarding the 50% and the maximum term to cancel the remaining amount is Monday June 6, 2011.
2.-Cancellation of 100%, you have secured the assistance immediately.
ENTRIES OPEN, WRITE A
emimastering@gmail.com SEARCH THE PROMOTIONAL VIDEO ON FACEBOOK, EMIMASTER AudioMastering
0 comments:
Post a Comment